Richie also provided the obligatory solo set, dealing piano-and-vocal treatments of “Still,” “Sail On” and “Oh No.” Those scaled-down performances could have given the couples in attendance some time to frame their own relationships within the evening’s backward-glancing mood and hopefully walk away with some positive, look-how-far-we’ve-come romantic vibes. Elsewhere, he dropped in some unusual outside musical references: Laid Back’s “White Horse” got oddly wedged into “Running With the Night,” Van Halen’s “Jump” filled in a few cracks during “Dancing on the Ceiling,” and the Ohio Players’ “Fire” was mashed up quite effectively with “Brick House.” “Love Will Conquer All” featured the most attractive transition, recast in a quasi-acoustic tropical groove. To be fair, Richie did offer some enhancements to a few of his songs. But if he uses his Kodak moments as a gauge, he’ll be serving up nostalgia by the pound when he hits the road, because this audience, mostly in their 40s and 50s, seemed quite content to thumb through the memories of Richie’s musical yearbook. ![]() In his defense, Richie warned early in the two-hour show that it was “the tour before the tour,” implying that the set list and arrangements might get a tune-up before he commits to a routine. Richie has a new album, “Coming Home,” to promote, but he spent more time playing old Commodores songs, and a preponderance of synthesizer sounds guaranteed that much of the evening’s material would sound dated and unimaginative. ![]() ![]() There were no trophies to be had Friday at the Kodak Theater in Los Angeles, and for all intents and purposes his concert also was a rewind experience. LOS ANGELES (Hollywood Reporter) - Tuesday’s American Music Awards featured a flashback segment with Lionel Richie in a heavily sequined jacket from his trophy-winning peak in the mid-1980s. Lionel Richie performs at the 2006 American Music Awards on Novemin Los Angeles.
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